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Quick View€4,000.00
Ofo, Igbo, Nigeria
In a cult universe rich in an extraordinary quantity of objects, Ofos sculptures from Nigeria seem to be by far the most important. Presumably composed from simple fetish twigs from a sacred tree, the Ofos have thus evolved to become objects or masks with immediately identifiable forms for those who have seen them at least once. Thus their artistic form was it built from the use of wood and iron but it also adapted to the imagination of each sculptor, the expected use of the Ofo as well as its native territory . A head of heavy wood, a metallic aura gives a body without a limb a most mystical look for long Ofos as well as Ofos formalized by their only head.
The Ofo presented here comes in the form of a particularly thin and slender body compared to those that are more commonly encountered. It also has the rare characteristic of having a double face sculpted and decorated with metallic irons on both sides of the aura. It is thus “januiform”. A strong pigmentation visible on the entire sculpture suggests an intense use for this emblematic object of authority and power.
Literature: ” OFO Anam, Regards sur un statuary Igbo “, Alexandre Espenel and Rémy Houdart. Editions Rage, 2001.
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Bateba statuette of the Lobi people, Burkina Faso
The Lobi live in southwestern Burkina Faso and northern Côte d’Ivoire and Ghana. they are extremely resistant to any form of centralized political authority. Instead their communities are based on the laws of God. The central figure in each Lobi community is the religious specialist named the Thildar. this soothsayer is responsible for communicating with the spirits that govern the community and protecting members of each family from accidents, illness, violence and all the multiple threats people encounter in the hostile environment of West Africa . The carved Lobi represent the spirits of nature they called Thil. Each of these figures displays different gestures or postures, some of them can have two or even three heads, some female figures carry a baby under the arm. These unique characteristics represent the particular talent or power of the spiritual being they embody. A figure raising an arm places a roadblock at the entrance of the malicious spirits at the family home.
H. 25cm. Male character whose pose reflects the Lobi aesthetic in its quality criteria. Standing, the right arm raised back, the left arm stretched out along the body. The forehead is high, the flat nose triangular and the male torso well pronounced. Sex and navel are prominent. The muscular legs have powerfully shaped calves. Hard and dense wood, very nice patina of use.
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Bateba statuette of the Lobi people, Burkina Faso.
H. 25cm. Male character whose pose reflects the aesthetic Lobi in its quality criteria. Standing, the right brad raised back, the left arm at a distance stretched along the body. The forehead is high, the triangular flat nose and the pronounced male torso. Sex and navel are prominent. The muscular legs have powerful patterned knobs. Hard and dense wood, very beautiful patina of use.
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Bateba Statuette der Lobi Leute, Burkina Faso.
H. 25cm. Männlicher Charakter, dessen Haltung den ästhetischen Lobi in seinen Qualitätskriterien widerspiegelt. Der rechte Brad hob sich zurück, der linke Arm streckte sich in einiger Entfernung über den Körper. Die Stirn ist hoch, die dreieckige flache Nase und der ausgeprägte männliche Torso. Sex und Nabel sind prominent. Die muskulösen Beine haben kräftige gemusterte Knöpfe. Hartes und dichtes Holz, sehr schöne Patina.
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Quick View€2,200.00
